Lost World

The other day, I was sitting at my kitchen table eating pistachios. The small pile of shells that formed as I ate them triggered a memory of my mother, something I hadn’t thought about in a long time: When I was two or three years old, before my younger sister was born, I used to go with my mother to buy pistachios at the department store candy counter. Unlike today, you couldn’t just walk into a grocery store and buy them. Pistachios were a luxury. You had to make a special trip to get them.

The woman who worked at the candy counter was an older lady. She wore her gray hair pulled back into a bun and sometimes had a Band-Aid stuck to the side of her nose. I never knew what the Band-Aid was for, but I always found it fascinating. A Band-Aid on your nose!

The woman would ask my mother if she wanted the red pistachios or the natural ones. They had both kinds on display, piled up into mounds behind the glass. My mother always chose the natural ones, just one pound because of their price. The lady would scoop the nuts into a white paper bag with red stripes on it. Then she would place the bag on a scale to weigh it, and would either add more nuts or remove a few until the amount was just right.

The candy counter also sold balloons. These were not filled with helium, just regular air. Because they couldn’t float on their own, the balloons were attached to long wooden sticks so that you could carry one around and it would look like it was floating. Sometimes when my mother bought pistachios she would offer to get me something, too. I never wanted candy. Always, I chose a balloon, preferably a red one.

When we got home, my mother would sit in the living room and eat her pistachios while she watched her favorite television shows. These were mostly soap operas, nothing I found that interesting. After making sure my balloon was stored in a safe place, I used to sit on the floor and play with my toys or look at a book while a small pile of pistachio shells formed on the coffee table.

At the time, my mother was the same age that my daughter is now.

My mother died of lung cancer in September 2020. She was a lifelong smoker. She never quit, even after she was diagnosed with cancer. Up until recently, I’ve mostly been angry with her about it. But sometimes an old memory comes back to me unexpectedly, and the anger disappears.

ENP

Traveling Along the River

On August 4, I lost my friend Mario to cancer. He was the third friend of mine to die of the disease this year. His death wasn’t unexpected. He was diagnosed with late stage pancreatic cancer in July 2021, and the last time I saw him, this past April at another friend’s funeral, I barely recognized him. Still, Mario was one of those larger-than-life people you can’t imagine not being in the world.

Without meaning to, Mario became the center of attention in any room he walked into. He was intelligent, talented, had dozens of friends, and a heart big enough to make Santa Claus jealous. I met Mario more than 30 years ago, when I was 18, when we were both freshman in college—kids. We didn’t see each other all the time, but it’s still hard for me to imagine my life as an adult without him in it.

I was in the middle of working on developmental edits for my second novel, The River Is Everywhere, when Mario died. (The book will be released in March 2023 by Vine Leaves Press.) Before sitting down to work on it near the end of July, it had been more than a year since I’d looked at the manuscript. The book’s main character, Ernest, is a 16-year-old high school student who loses his best friend in an accident. He spends much of the story trying to make sense of his friend’s death.

I wrote the book years ago, before any of my friends had cancer, before I could have imagined any of them ever meeting such terrible fates. And yet, when I was re-reading the manuscript, I found myself drawn into Ernest’s world: Here was someone who was dealing with the some of same feelings that I was. The fact that I had made Ernest and his story up didn’t seem to matter at all.

As hard as it was at times to motivate myself to get my butt in the chair, working on the book helped me begin to heal from the loss of my friends in ways I hadn’t expected. At its heart, the novel is a coming-of-age tale and adventure story. When I wrote it, helping readers deal with loss and grief wasn’t one of my intentions.

I suppose that’s one of the things that makes art so important: Often, it’s much more powerful and meaningful than it appears on the surface.

This experience has made me hope that someday The River Is Everywhere might help someone else in the same way it’s helped me.

ENP