Leominster French Canadian Festival: Upcoming Reading and Book Signing

This is just a quick post to announce that I will be at the Leominster French Canadian Festival in Leominster, Massachusetts on June 22. I’ll be reading from my second novel, The River Is Everywhere, and will be on hand to chat and sign copies of the book, which will be available for purchase.

The Leominster French Canadian Festival, which celebrates the cultural heritage of central Massachusetts’ large Franco-American population, is being held at the city’s Mechanic Street Park from 3 to 7 p.m. It will feature live music, food, and a variety of vendors. Admission is free. For more information visit the festival’s Facebook page.

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Author Talk

I’ll be at the Pollard Memorial Library in Lowell on January 24 from 6:30 to 7:30 p.m. to talk about my novel, The River Is Everywhere. I’ll also be doing a short reading from the book. Bring your copies for signing. In the event of inclement weather, the talk will be held virtually.

Admission is free, but registration is required so that the library can email the Zoom link to participants if the talk is moved to a virtual platform.

I hope to see you there!

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Book Award Finalist

I’m excited to announce that The River Is Everywhere has been named a finalist for the 2023 National Indie Excellence Award in literary fiction. The National Indie Excellence Awards are the gold standard for books published by independent publishers in the U.S. I’m very happy, and I’m even prouder of this book than I already was.

The River Is Everywhere is available from all major booksellers including Amazon and Barnes and Noble as well as from several indie stores including the Lowell Book Company. If you’ve read the book and liked it, please consider leaving a review on Goodreads or Amazon, or drop me a note via this website’s contact page.

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ÃŽle d’Orléans

I’ve been working on a new novel. Because it looks like I *might* actually have the first draft of the manuscript done soon, I thought I’d write a post about it.

The novel—a wild, suspenseful, character-driven romance featuring strong female characters—is set in ÃŽle d’Orleans, a pastoral island in the Saint Lawrence River near Québec City. It’s one of my favorite places in the world.

Many of the houses and churches on the island were built in the 17th and 18th centuries by the original settlers of New France. Development in ÃŽle d’Orleans is heavily restricted, so it still looks much as I imagine it has for the last few hundred years. If you suddenly found yourself on the island and didn’t know where you were, you could easily think you were someplace in rural France.

Église Sainte-Famille, built in 1743. This church appears in the novel, which is partly set in the village of Sainte-Famille. Photo credit: Marc Lautenbacher, Wikimedia Commons

ÃŽle d’Orleans is home to six historic villages, each with its own unique charm. Since it was settled by Europeans more than 400 years ago, the island has been a farming community. Today, it is famous for the quality of its products especially strawberries, apples, maple syrup, and wine.

ÃŽle d’Orléans lavender field. Photo credit: Wilfredo Rafael Rodriguez Hernandez, Wikimedia Commons

I like big, dramatic, steamy romances (think Masterpiece Theatre) but most of the romance novels out there are very poorly written, not to mention loaded with tropes, clichés, and sexist BS, making them pretty much unreadable.

I started writing this book a couple of years ago as a challenge: I wanted to see if I could write a romance novel that I would not only want to read but wouldn’t be able to put down once I started. I figured if I were successful, other people would want to read it, too. So far, I think I’m on the right track. The novel doesn’t have a title yet, but I’m working on that, too.

ÃŽle d’Orléans strawberry harvest. Photo credit: Marc Lautenbacher, Wikimedia Commons

I’m considering the idea of making this novel the first in a series. It’s a little early yet to tell if that will be feasible, but the possibility is definitely there.

Stay tuned for news about this exciting new novel as it develops. I hope to have the first draft of the manuscript completed by July and to have an edited version done by the end of the summer.

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Merci Beaucoup!

Thank you to everyone who came to The River Is Everywhere book launch event on March 22. It was amazing to actually see the room full, and I still can’t believe the books sold out! Special thanks to the Dracut Library for hosting the event, and to the Lowell Book Company for handling book sales. Thanks as well to Kevin Harkins of Harkins Photography for taking photos. I very much appreciate all the support.

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Book Release Event

Just a short post to announce that the book release event for The River Is Everywhere will be held on March 22 at 6:30 p.m. at the Parker Memorial Library in Dracut, Mass. I’d love to see you there if you are in the area. Special thanks to the Lowell Book Company for helping me make it happen. Now I just need to remember how to speak in front of group of people.

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New Novel Coming Soon!

This is just a quick post to let everyone know that, at long last, The River Is Everywhere will be released on March 14. The book is currently available for pre-order on Amazon and Barnes and Noble. I should have information about the book’s launch event soon. When I do, I’ll post it here.

In the meantime, you can check out some of the book’s early reviews on Goodreads.

Once the book is launched, I will be available for readings and to meet with book clubs, either in person or virtually. For more information about either of these, send me a message via my contact page and I’ll get back to you soon.

If you are a member of the media who would like to write a review of The River Is Everywhere, send me a message and I will arrange for you to receive an advanced reader copy of the book.

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Cover Art

I don’t usually like to write posts that have no purpose other than to promote things I’m doing, even though I suppose that’s kind of the point of having an author website. Keeping that in mind, I’m very excited to share the cover of my second novel, The River Is Everywhere, which will be published in March by Vine Leaves Press.

A friend and fellow author told me that the cover was “me” when she saw it, which made me laugh because it’s kind of dark and moody, and a little mysterious. I’m definitely prone to the first two, and maybe the third, but I don’t think I’m the best judge of that.

Anyway, I think the cover is perfect. The folks at Vine Leaves did a great job taking the ideas I sent them and creating something that really conveys the mood of the book, and, I guess, me.

I’ll post updates about The River Is Everywhere as I get them. Thanks again to everyone who follows this blog, and to all the people who have helped the book along its journey to becoming a real, tangible thing.

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The Sound of Silence

I don’t like loud or repetitive noises. In fact, a lot of sounds bother me, regardless of their volume. I especially dislike electronic devices, household appliances, and toys that beep, buzz, or talk unnecessarily. I have disabled the sound-making capability of just about everything in my house that I can. I mute videos on social media. I’m one of the few people I know who can sit in the car for hours without the radio on without even noticing that it’s been turned off.

When my daughter was a toddler, I took the batteries out of her talking Cookie Monster toy and told her it was broken. I still feel kind of badly about it, but I was a stay-at-home mom who was often alone twelve or more hours a day while my husband was at work. It was either a quiet Cookie or a nervous breakdown.

I even removed the whistle from our tea kettle, which drives my husband crazy. “How am I supposed to know when it’s boiling?” he asked. “When a lot of steam comes out of the spout,” I said. “You just have to watch it.”

I’ve always been this way. A couple of years back, I learned that there’s a name for my supersenstivity to sounds, an issue I also have with bright lights (I’ll save this for another post): sensory processing sensitivity or SPS.

Sensory processing sensitivity is an inherited trait, just like being tall or having blonde hair. People who have SPS are born with hypersensitive nervous systems. SPS is one of the traits common among highly sensitive people, of which I am one.

One of the most problematic issues my SPS causes is an aversion to the sound of my own voice. I don’t usually notice it if I’m having a conversation with someone because most of the time I’m concentrating on what the other person is saying. But I have a real problem with things like public speaking and reading aloud.

When I was in school, the issue was most noticeable in my foreign language classes. I always did well on written exams and homework, but could hardly ever bring myself to say anything out loud. I think it’s one of the reasons I’ve never been able to effectively learn to speak French even though I’d really like to.

My second novel, The River Is Everywhere, will be published this March. Among the things I need to do to market the book is plan author readings at bookstores and libraries, events that will require me to both engage in public speaking and read aloud. Although I know how important these types of events are, I’m dreading having to do them.

I’ve asked other authors I know for advice regarding this, and most of them have told me the best thing I can do is practice reading aloud from the book, and keep in mind that anyone who comes to a reading is there because they want to hear what I have to say. This makes a lot of sense, but I know it won’t be easy. Still, I’m going to give it my best shot.

Until then, I’m going to enjoy living and working in my quiet house.

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Traveling Along the River

On August 4, I lost my friend Mario to cancer. He was the third friend of mine to die of the disease this year. His death wasn’t unexpected. He was diagnosed with late stage pancreatic cancer in July 2021, and the last time I saw him, this past April at another friend’s funeral, I barely recognized him. Still, Mario was one of those larger-than-life people you can’t imagine not being in the world.

Without meaning to, Mario became the center of attention in any room he walked into. He was intelligent, talented, had dozens of friends, and a heart big enough to make Santa Claus jealous. I met Mario more than 30 years ago, when I was 18, when we were both freshman in college—kids. We didn’t see each other all the time, but it’s still hard for me to imagine my life as an adult without him in it.

I was in the middle of working on developmental edits for my second novel, The River Is Everywhere, when Mario died. (The book will be released in March 2023 by Vine Leaves Press.) Before sitting down to work on it near the end of July, it had been more than a year since I’d looked at the manuscript. The book’s main character, Ernest, is a 16-year-old high school student who loses his best friend in an accident. He spends much of the story trying to make sense of his friend’s death.

I wrote the book years ago, before any of my friends had cancer, before I could have imagined any of them ever meeting such terrible fates. And yet, when I was re-reading the manuscript, I found myself drawn into Ernest’s world: Here was someone who was dealing with the some of same feelings that I was. The fact that I had made Ernest and his story up didn’t seem to matter at all.

As hard as it was at times to motivate myself to get my butt in the chair, working on the book helped me begin to heal from the loss of my friends in ways I hadn’t expected. At its heart, the novel is a coming-of-age tale and adventure story. When I wrote it, helping readers deal with loss and grief wasn’t one of my intentions.

I suppose that’s one of the things that makes art so important: Often, it’s much more powerful and meaningful than it appears on the surface.

This experience has made me hope that someday The River Is Everywhere might help someone else in the same way it’s helped me.

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